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So, I run a monthly casino - and its the end of the year, so I've bought a shield trophy for Payout Night.
But, I'd like the award to be called something funny, clever, smart, related...
Best I got is Undisputed Ultimate Champion...
But my creative juices are bone dry. Anyone got any clever names for a trophy/winner?
Many thanks for anyone who can help.

Tonight LIVE from Las Vegas, Nevada, Ring of Honor celebrates its 13th Anniversary on pay-per-view from the SOLD-OUT Mardi Gras Ballroom in the Orleans Hotel & Casino. Champions put it all on the line and challengers bet the house. Join Ring of Honor as they celebrate thirteen years of "Creating Excellence", thirteen years of "Innovating, not Imitating" and thirteen years of the "best wrestling on the planet" from the fight capital of the world!
Click here to see if ROH's 13th Anniversary is available through your cable or satellite provider OR alternatively, click here and order it on iPPV through ROHWrestling.com and watch it immediately following the live PPV broadcast.
CARD FOR ROH'S 13TH ANNIVERSARY

• Jay Briscoe defends the ROH World Championship in a "High Stakes Four Corner Survival" match against "Unbreakable" Michael Elgin, Tommaso Ciampa and Hanson
• Jay Lethal (c) w/ Truth Martini defends the ROH World TV Championship against International superstar, Alberto Él Patron
• reDRagon defend the ROH World Tag Team Championships against the IWGP Jr. Tag Team Champions, The Young Bucks
• IWGP Heavyweight Champion, "The Phenomenal" AJ Styles faces ACH for the first time ever in a non-title match
• O.D.B w/ Mark Briscoe faces Maria Kanellis w/ Michael Bennett
• Roderick Strong looks to end his issues with The Decade against BJ Whitmer w/ Adam Page & Jimmy Jacobs
• Mark Briscoe faces the unbeaten Moose w/ Veda Scott & Stokely Hathaway
• Reborn Matt Sydal faces Cedric Alexander
  
• The Kingdom vs. The Addiction vs. The Bullet Club was scheduled for tonight, however as announced on Twitter, Doc Gallows won't be making it to Las Vegas due to flight complications caused by bad weather in Detroit, so the status of this match is currently unknown
  

Card Subject to Change!

Notes on tonight

• Samoa Joe will make his Ring of Honor return after a seven year absence and he has something to say
• Independent tag team Reno Scum will feature in tonight's dark match
• Knights of the Rising Dawn said in a vignette two weeks ago on TV that they would be watching; will they be watching in-person or at home via pay-per-view?
• Dave Meltzer is reporting that that UFC featherweight fighter Shayna Baszler will be in attendance at tonight's show and it is possible that the Four Horsewomen will be too, including Ronda Rousey, and they may feature in an angle
• Adam Pearce is reported to be in Vegas and will be backstage at tonight's event

Sort by new to see the latest, or follow along LIVE with the Reddit Stream! Also, join us in the IRC chat!
Post-Show Discussion:
The post-show discussion thread will be taking place on the Ring of Honor subreddit, /ROH, which you should all subscribe to for all the latest ROH discussion.

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The last drama post I did about Kuma Miko seemed to have gotten some praise, but some wished to see a Hobby Drama post that had consequences outside “people got angry over it”. So without any further delay, here’s a story about a studio that’s close to my heart, one that I’ve backed twice and seen die twice.
Note: This is a fairly lengthy drama, so forgive me if I’m not able to provide all of my sources. Most of the front half of this comes from this video, which chronicles the first half of Lab Zero entirely in Russian.
From Ahad to Mike Z
Let’s start in the beginning. Alex Ahad is a freelance illustrator who, in between other work, had created character designs for a prospective fighting game. Mike Zaimont is a professional fighting game player best known for games like BlazBlue and Marvel Vs. Capcom, but since 1999 had been coding a custom engine in his free time, which he hoped could be used for a fighting game. The two met in 2008, and the two quickly realized that with each other’s help, their dream could come true. In 2010, the two joined the newly developed game studio Reverge Labs. Joining their team was Mariel “Kinuko” Cartwright, a friend of Ahad’s and daughter of a Disney animator who helped animate games such as Scott Pilgrim vs. The World and Shantae; Peter Bartholow, who acted as CEO of Reverge as well as their PR arm; and an assortment of other animators and designers. Their goal: a fighting game in the style of Marvel vs. Capcom 2 with hand-drawn animation that they called Skullgirls.
After obtaining publishers in Autumn Games and Konami (at the time of development the Microsoft required indie devs to have a retail publisher in order to bring their games to Xbox Live Arcade), the team got to work on Skullgirls. Initial impressions were favorful - people liked Ahad’s unique character designs, the fluid animation, and the solid engine Mike Z built - but upon release, there were some concerns. The time and money needed to develop each character meant a starting roster of only eight characters, a far cry from other fighting games (the original MvC had 15 characters in 1998), and due to the team trying to get the game out, there was no in-game move list. Some were also concerned that the cast, consisting entirely of women, was too fanservice-filled, although Bartholow said that the characters were just attractive women who could fight as opposed to characters using their sexuality in battle (Ahad said that sex wasn’t his main focus, he just wanted to have monster girls fight each other). The team at Reverge Labs stressed that they would continue to update the game, with plans to add DLC if the game sold well enough. Good thing nothing could go wro-
Everything goes wrong
Alongside publishing Skullgirls, Autumn Games and Konami had previously published a karaoke game called Def Jam RapStar. Unfortunately, around March 2012, the time Skullgirls released, both parties were at the end of several lawsuits made against them - one argued that Autumn and Konami did not get the rights to some of the songs used in the game, while another claimed that the game was funded with a bank loan which Autumn Games was unable to pay back. The result of these costly lawsuits was that Autumn was unable to pay Reverge the money made from Skullgirls - this led to the entire Reverge team being laid off around July, and the future of the game in the air.
And so, the team decided on a whim to reconvene as a new development studio, Lab Zero Games. At a fundraiser for breast cancer research which included a fighting game tournament, Mike Z revealed the first DLC fighter and promised that new information about her and the team would be posted soon. This would turn out to be an Indiegogo fundraising campaign that asked for $150,000 to develop the first DLC fighter, with more characters promised if people backed enough.
In the end, $829,829 was raised in the campaign, enough to fund five DLC characters, a bevy of stages and voice packs, and other features. It was quickly becoming a cult classic.
The Skullgirls Curse
And so work on Skullgirls DLC was underway. However, a variety of events happened to befall Lab Zero during development, some causing controversy and others just annoying the team. Some dubbed this “The Skullgirls Curse”. So let’s go over some of them:

• Paypal Woes: During the Indiegogo DLC campaign, Lab Zero announced that Ahad had created around 30 prospective designs for DLC characters, and that there would be a vote to see which characters would be the two “mystery characters” teased in the Indiegogo campaign. As you would guess, this caused the Skullgirls fanbase to get heated, to the point where some stressed that they would ask Indiegogo for their money back if their character didn’t win. PayPal, who managed the funds for this campaign, was concerned about these threats and put nearly all of the money on hold. Bartholow tried to negotiate with PayPal, and was eventually able to get the funding - once PayPal was given a hefty sum as collateral.
• Bad Juju - If you notice on the list of prospective DLC characters, one character is Juju, a character who was designed by Ahad from a fan’s suggestion on a Whiteboard Wednesday art stream. Ahad seemed to like the idea of the character, and kept building her up until she became a legit character in the game. The original fan made a joke on Facebook that he’d like to be compensated for the design, which led Lab Zero to negotiate obtaining the character rights from him. They eventually worked out a contract that would give them the rights to the character, but only if the original fan didn’t reveal it until Lab Zero announced it themselves. The fan then posted about it on the Skullgirls forum the very next day, breaking the NDA immediately and making it so that Lab Zero couldn’t use the character at all.
• Don’t be (Red) Cross with me: One of the characters included in the base game of Skullgirls is Valentine. As you can tell, the two biggest features of her character are her being a nurse and a ninja - as such, her costume is decorated with red crosses. This was upsetting to the real Red Cross, which fights hard to prevent its trademark from being associated with violence - as such, when they came to the Skullgirls publisher demanding a change, all red crosses in the game had to be changed to magenta.
• #FucKonami: In November 2013, due to Konami barely helping at all with the publishing process for Skullgirls (they refused to greenlight any patch or DLC until Lab Zero tested it itself on their own time and money, they didn’t help with Microsoft’s certification process for Xbox, etc), Lab Zero dissolved their publishing agreement. This led to a massive snafu where, due to the dissolution, the original Skullgirls was taken down on consoles, and Lab Zero had to scramble to get a new publisher on the consoles side and then reupload the game as Skullgirls: Encore. It was a tangled web of issues which the above YouTube video relays, but required certification from both console storefronts and even the Japan storefront, as their publisher there was also coincidentally being dissolved at the same time without Lab Zero knowing.
• EVO 2014: During one of the largest fighting game tournaments of 2014, Skullgirls was promised a space for airing their tournament stream by controller distributor Madcatz. Lab Zero and Autumn provided a pot for the tourney, and everything was smooth sailing - until a multitude of delays made it so that the entire time Skullgirls had for streaming was replaced with Tekken tournaments. By the time these issues were fixed, only the final four matches were able to be shown.
• What’s the worst kind of ship? Censor-SHIP!: In April 2015, one of the patches of Skullgirls altered the animation of some characters, which according to Lab Zero themselves was because of their own artistic values (while they admitted that panty shots in a fighting game comprised entirely of girls is unavoidable, they didn’t want to go out of their way to show them). As you might expect, this led to a massive onslaught of negative Steam reviews and caustic tweets from people who abhor censorship of any kind. Funnily enough, this brigade started around October, six months after the changes were made, and only via word of mouth - people didn’t even notice there was a change until someone told them about it.
• Backer characters: As part of their Indiegogo campaign, some of the highest-paying backers could have their original characters put in the background of some custom stages. Lab Zero warned these backers that these stages would be a casino and a ballroom, respectively, so their OCs should ideally be designed with a formal flair. Some backers did follow this unspoken rule - ZONE, a notoriously NSFW Flash animator who helped work on the DLC characters, made a perfectly formal look for his mascot Zone-tan. As for the others, well...
• SonicFox: This isn’t included in the compilation video mentioned above as this occurred way after all the initial Skullgirls drama. Basically, SonicFox is a five-time EVO champion and one of the best Skullgirls players in the world. In May 2020, after Skullgirls was mostly complete, they were given a cameo in Skullgirls’ training stage. Of note is that SonicFox is black, non-binary, and a furry, and the character added to the game was their fursona, who has a trans rights flag in the inside of their jacket you can only see for like one frame. People reacted as you would expect. Also, one of the original backers requested to change their character as they were now transitioning, which didn’t get as much flak, so that’s nice I guess.

So as you can see, Skullgirls had a menagerie of problems and issues during its dev time. However, their Skullgirls curse seemed to have faded away, as they had a new game in store.
If I was Indivisible
Indivisible was a new project of Lab Zero, announced in 2015 as Skullgirls DLC production was nearing an end. Billed as a platformer RPG similar to games like Valkyrie Profile, it would tell the story of Ajna, a young girl whose town is stricken by tragedy and she finds out that she’s a portion of the god of creation, who has grown discontent with the world and wishes to remake it anew. Its Indiegogo campaign focused on Incarnations, party members who came from a variety of cultures, religions, and demographics not usually represented in popular culture. And as you can see by the fact that it got over two million dollars in funding, people were excited to see what Lab Zero could do. They even got enough funding to get Studio Trigger, of anime fame, to create the opening for the game.
Of course, it wouldn’t be Lab Zero without the occasional issue here and there. As shown above, some Incarnations were changed or scrapped during development, which irked some who backed because of that character specifically (not naming any names, but look in the incarnation list and see if you notice any). Backer characters were included again, and although there were more places to add them so they didn’t look out of place, you still had the occasional few that did. Critics liked the art and presentation of the game, but disliked some gameplay issues: the second half of the game became a cakewalk once you progressed far enough, it was a bit of a pain to go from one end of the map to another, especially for side quests, and a bunch of party members simply weren’t complete. Most egregiously of all, the Nintendo Switch version of the game was ported by a different company and released before Lab Zero was even aware of it - which forced them to scramble again to patch it up so it was on par with other consoles.
Still, it was a better situation they were in than when Skullgirls started. They had a legit publisher in 505 Games, people were satisfied with the base game, and Mike Z mentioned how the base game would continue to be refined with gameplay changes, small additions, and guest incarnations from other indie games. NBC even announced that Indivisible would be adapted into a television program for their Peacock streaming service. Things were looking up for Lab Zero.
Everything goes wrong... AGAIN
During the production of Indivisible, Alex Ahad was let go by Lab Zero. Not much is mentioned about it except that he was growing increasingly hostile, making it difficult to work with him, and his art was not meeting the standards for the game. He left, tried to sue Lab Zero, and eventually agreed to a sizable settlement. Mariel became the lead artistic director in his stead, and the art team had to be rearranged to compensate.
Now, as Lab Zero was preparing to transition from being employee-owned, Mike Z was made the temporary head of the studio. In June of 2020, Mike Z did an “I can’t breathe” joke during a Skullgirls livestream just days after George Floyd’s death - he later apologized for this, claiming he was trying to bring attention to the issue. Soon, more people provided proof that Mike Z has had a history of sexual harassment. Kinuko chimes in as well, noting that while she tolerated inappropriate behavior for years, when she talked to Mike Z about it, he blamed her for his actions. She talked with others in the team, who came to the conclusion that Zaimont had treated all of them like this. Some Lab Zero employees resigned on their own, while others pushed for Zaimont to resign. However, as Mike was still head of the studio, he dissolved the studio board and laid off the rest of the staff.
So where does that leave everyone?

• Ahad is still doing art on his own, and gets by with commissions and his Patreon.
• Kinuko, as well as the majority of Lab Zero, created a new studio called Future Club, which has promised to create new titles with the same art style they refined from Skullgirls and Indivisible.
• Autumn Games still own the rights to Skullgirls, and with the help of some former Lab Zero devs, created a mobile version of the game. It’s surprisingly not bad, although it’s of course stuffed with microtransactions. However, they’ve apparently made enough to fund a completely new character for the game for both the mobile and console/PC versions.
• After everything with Mike Z, 505 games put out a statement which signaled the end of all development of the game, leaving it unfinished. Mike Z has been suspended from Skullgirls streams and the like, making his future in the gaming world unclear.

There’s probably something I’ve missed in all of this, but yep. I backed them twice, both for Skullgirls and Indivisible. I don’t regret it, and I’m looking forward to whatever Future Club does, but I won’t lie - I’ll always miss what could have been.

The success currently being enjoyed by Joel Glazer is in no way down to him
By Jim White. 27 January 14:12
For fans of the Tampa Bay Buccaneers, things are looking up. After near two decades of muddling mediocrity, their team has reached the Superbowl for the first time since 2002. Not only that, they will be playing against the Kansas City Chiefs next month in their own home, albeit that the pandemic has restricted the crowd in the Raymond James Stadium to 22,000.
What’s more they have within their ranks the greatest Superbowl winner in history, the recently signed 43 year old quarterback Tom Brady, who will be throwing for his seventh Superbowl winner's ring. In Florida, the stars seem to be aligning.
No wonder Joel Glazer, scion of the family that owns the franchise, was cooing with delight when interviewed after his team’s play-off victory last weekend.
“We’re so happy,” he said. “Tampa we’re coming home.”
At the same time, across the Atlantic, the Glazers’ other sporting entity also appears to be awakening after a lengthy slumber. Manchester United are back in a title race, the place that their fans believe is the minimal requirement for an operation of their prestige.
This joint upward trajectory has made some observers wonder whether we have got the Glazers wrong. Far from the leeches of wider conception, are the family in fact model owners, careful stewards determined to bring playing success to their clubs? Maybe we should give them some credit.
To which the only answer is: yeah, right, just like Newcastle fans should all bow down in gratitude to Mike Ashley.
Malcolm Glazer bought the Buccs in 1996. No expert in sports management, and not even that much of a gridiron fan, he largely left the day-to-day running of the business alone, his main concern drawing down the dividends. In 2002 the family hired John Gruden as coach and he won the Superbowl in his first year in charge. It was a high point that could not be maintained.
The Glazers had no clever system, no revolutionary management technique, no moneyball equivalent to keep the franchise potent. Their one piece of methodology was to change coaches as often as Chelsea. 12 they have hired in the 25 years they have owned the Buccs, none coming close to matching Gruden until Bruce Arians arrived in 2019 and brought Brady in last year. It is that pair who have revived the sleepiest of institutions. Much to the astonishment of many.
It is a pattern which looks rather familiar to Manchester United fans. When the Glazer family bought the club in 2005, this time generously parking a £600million reverse takeover debt on the books, a bill that has barely been pared down in 16 years since, they were blessed that Sir Alex Ferguson was running the place. But they did nothing to learn from how he worked.
All that interested them was monetising the club’s history, bleeding the asset. The Glazers added no expertise, no enlightenment, no philosophy. Unlike the owners of Liverpool and Manchester City they offered up no discernible plan or procedure. They certainly didn’t do anything as vulgar as investing any of their own money. All they have done in a quarter century of sporting ownership on both sides of the Atlantic is trouser the profits.
Naturally, there is a point where the financial self-interest of the owners and the ambition of the fans intersects: both benefit if the club does well. But, as was evident after they lost the services of Ferguson, the Glazers’ understanding of how to keep a club successful were limited to changing the coach regularly until they happened upon one who knows what they are doing. It is an ownership model apparently born in the casino. Though the truth is, every so often even the most hapless of punters gets lucky.
For the Glazers luck has struck simultaneously: for Arians and Brady read Ole Gunnar Solskjaer and Bruno Fernandes. At neither the Buccs nor at United have the family contributed anything to the current happy circumstances beyond firing the previous coach. And if that counts as the model owner’s route map to success then Roman Abramovich should be lifting the Champions League trophy every season.